A tree does not show up in the Rune Poem unless it is important. You think they’ll let just any tree grow in these sacred woods? No. These are the god trees. Useful too. The oak grows here, you can eat the nuts, feed them to the pigs, make a drink from them, make boats from the wood, and the elders used to revere it as the world tree. The actual world tree is here too, the ash, also useful for making spears that won’t shatter on impact. Nice straight grained strong wood, that, holds it all up. The birch is a calendar tree, the first to green up in spring so you know the new year has come. You can eat the new shoots, tap it for the sap which makes a nice drink, and it provides twigs for divination. Everybody wants to know the future. And here we … More


The Rune Poem stanzas
The rune carvers prized beaver fur and skin, their teeth made a great necklace found sometimes in the graves of women and children and once around the neck of a dog, and by church decree beaver tails counted as fish you could eat during lent. Their 

Old English uses very few words at a time, but in all the minimalism there’s a massive amount of meaning: often multiple meanings of the same word are intended, black is sometimes white, and frequently there’s a pun in there somewhere. To translate Old English we need to use more words than the original, and still it’s difficult to pack all that meaning back in. Translation fills graveyards of context and nuance, left behind to grow cold. What is lost by gaining? What do we kill dead? Alliteration and meter, the music makers of language. The beat, deceased, sounds abandoned. Look at this:
Source a location. Ask yourself, why are you digging my grave?
I am so terribly sorry for your loss. I’ll be thinking about you and will light a candle. Please let me know if there is anything I can do for you in your time of grief, while you are in mourning, as you move through this tragic occasion, during your bereavement, it’s so hard to know what to say. You were alive for such a short time too.
First, you must find a reason not to live. There exists uncountable reasons but you must choose at least one and try to make it as ineffable as possible so the people you leave behind may feel suitably at a loss for words when they find you. An added benefit: it will be easier for the people who attend your wake, interment, scattering of the ashes, memorial service, whatever it is it will be none of your business, to speak in hushed and reverent tones if they find themselves capable of speaking at all. Amongst the reasons not to live you might choose: you are suffering from progressive melancholia; by ceasing to exist you will bring your existence to the attention of the person who barely knows you exist, though you maintain a unique awareness of said person’s existence; pondering the great
Y: This is our future?
Tell me your future. Tell me, what do you hope will happen before you’re dead? And what is it you are afraid of? Never mind. Doesn’t matter what. The future is not in the what, it’s in the hope and the fear that you hold now, in the present. Whatever it is coming to you, or coming for you, is happening now. In here. In your mind. There is no other future. Well, there is the one thing that is going to happen, Ear says it for sure. It’s coming to you and it’s coming for you. You’ve got it coming. You’ll 